The Association of Certified Fraud Examiners

The ACFE is the world's largest anti-fraud organization, with over 95,000 members across six continents. When I stepped in, the creative function was operating with an outdated visual system that no longer reflected the organization's scale or standing in the industry. I led the modernization of the brand across every touchpoint, built and hired a multidisciplinary creative team from the ground up, and established the operational infrastructure to support one of the most complex and high-volume creative environments I've worked in.

Role
Senior Design Manager,
reporting to VP of Communications with full creative authority

Scope
Brand, Events, Editorial, Web, Creative Operations

The Transformation

The ACFE had outgrown its visual identity. The existing system was dated by industry standards, inconsistent across channels, and not built to support the volume or complexity of creative the organization was producing.

I was brought in to run the creative function independently, with the authority to modernize the brand, build the team, and put the systems in place to sustain long-term creative quality. What followed was a full evolution of the visual system, a team rebuilt from 3 to 8, and a creative operation capable of supporting a global conference, a bi-monthly publication reaching 95,000 members, and a continuous stream of marketing and event work throughout the year.

ACFE Before
ACFE Brand After

Brand System
& Foundation

The goal wasn't to start over. It was to modernize what existed and make it finally work at scale.

I led the evolution of ACFE's visual system, updating typography, color application, layout principles, and design standards to bring the brand in line with where the industry had moved. The logo stayed. Everything around it changed. I built out reusable components, layout systems, and guidelines that created a consistent visual language across events, editorial, web, and marketing, so the brand held up whether it was on a conference stage in front of 5,000 people or in the pages of a 76-page publication.

Working in close partnership with the VP of Communications on strategic direction, I translated that vision into a system the team could actually use and maintain independently.

  • Modernized the visual identity system across all brand touchpoints

  • Updated typography, color, layout principles, and design standards to current industry benchmarks

  • Built reusable components and layout systems for high-volume production

  • Developed brand guidelines enabling consistency across events, editorial, web, and marketing

  • Preserved brand equity while bringing the system forward

ACFE_FC_StyleGuide
ACFE Brand Guideline

Events, Editorial
& Execution

The ACFE's creative output is anchored by two flagship commitments that repeat every year without exception: a global conference and a bi-monthly print publication. Both demand a level of craft, coordination, and consistency that can't be improvised.

I led creative direction and full execution for the Global Fraud Conference, the world's largest anti-fraud event, drawing over 5,000 attendees from 88 countries. Every touchpoint was under my creative authority, from web and digital promotion through on-site environmental branding, signage, and printed materials.

In parallel, I oversaw design and production of Fraud Magazine, a 76-page bi-monthly publication distributed to the ACFE's global membership of over 95,000 professionals. Managing that editorial production cycle, issue after issue, required tight process, clear standards, and a team that could execute at a consistently high level across a compressed timeline.

  • Led full creative direction for the Global Fraud Conference, 5,000+ attendees across 88 countries

  • Managed all conference touchpoints from digital promotion through on-site environmental and print

  • Directed design and production of Fraud Magazine, a 76-page bi-monthly publication

  • Ensured editorial consistency across every issue for a global readership of 95,000+ members

  • Managed simultaneous event, editorial, and marketing workstreams throughout the year

Fraud Magazine
Fraud Magazine Spread

Creative Operations & Team Building

Running the creative function independently meant building it into something that could actually sustain the workload.

I grew the team from 3 to 8, doing all hiring myself. I brought in designers, animators, a developer, and illustrators, building a multidisciplinary team capable of handling the full range of ACFE's creative needs in-house. Beyond headcount, I built the infrastructure around them: structured workflows and project tracking in Asana, Adobe CC Libraries to create brand consistency at the file level, and clearly defined review and approval processes that kept stakeholders aligned and delivery reliable.

The result was a creative operation that could absorb a high volume of work across multiple simultaneous initiatives without sacrificing quality or missing deadlines.

  • Grew the creative team from 3 to 8 through independent hiring

  • Built a multidisciplinary team: designers, animators, a developer, and illustrators

  • Implemented fully automated Asana for workflow management, intake, and project tracking

  • Introduced Adobe CC Libraries to enforce brand consistency across the team

  • Established review and approval processes to align stakeholders and improve delivery reliability

  • Created an operational structure capable of sustaining high-volume, multi-initiative output

Creative Team Org
Asana Design Process
ACFE Design Team Growth

Impact

The transformation at ACFE was about building a creative function that could carry the weight of one of the most demanding and visible organizations in its industry.

  • 95,000+ members reached through a modernized brand and a bi-monthly publication that reflected the organization's global standing for the first time in years.

  • 5,000+ attendees from 88 countries experienced a conference creative program under a cohesive, elevated visual system across every touchpoint.

  • Team scaled from 3 to 8, hired independently, across four disciplines, creating a creative function capable of sustaining the organization's full output long-term.

  • Full creative authority over a complex, multi-channel creative operation reporting directly to the VP of Communications, with no creative layer between strategy and execution.

  • A brand that finally looked like the world's largest anti-fraud organization. And a team built to keep it that way.